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In modern urban life, people spend a considerable amount of time in the urban outdoor environment for work, commuting, recreation or sports. Exposure to urban noise can have negative psychological and physiological effects on people's health. With the increasing density of buildings and road traffic noise in cities, urban acoustics have become a pressing social issue.
In recent years, attention has shifted from indoor to outdoor acoustics. Acoustic design in cities is undergoing a process of transformation from noise reduction, based initially on numerical levels, to multi-sensory design that values perceptual attributes. The acoustic group focuses on reducing urban noise pollution through the production of hollow ceramic components tuned to local noise frequencies. The research question that has been investigated explores alternative strategies for the design and manufacture of clay Helmholtz resonators to alter the soundscape of external spaces.
The group has focused on minimising exterior noise pollution at specific frequencies. The prototyping methods used in creating these clay bricks have taken advantage of slip casting, 3D printing, extrusion, and robotic fabrication tech.
Slip cast hollow ceramic shells work on Helmholtz principles to absorb certain frequencies.
To address the impact of road traffic noise on urban soundscapes, The Sound of Ceramic Silence has extended the slip-casting process to produce products with low-frequency resonant ceramic cavities to form acoustic cladding.
The concept of the acoustic vineyard is aiming to design an open acoustic barrier which could absorb a specific frequency of noise depending on the acoustic situation of a site.
The acoustic performance of each component can be defined individually, like a graphic pixel. Moreover, each element is designed dynamically and fabricated digitally.